As love’s fire became firelight, Mary E. wrote on the inside of her comb box, “This is for Carrie M. Golches. Mary E [last name].” Another’s pen added, “She passed away about 1923, age 91.” The script is American; the comb was probably a gift, brought over from England.
An intricate design of berries and leaves surround a medallion with two bunches of grapes, over a comb of finely carved teeth, c. 1860. The design’s finesse immediately tells you it was made for a woman of privilege, sheltered from the awareness of poverty.
The Victorian Age was an apex in English comb making. Comb makers arrived in London from France to take advantage of higher wages and a steady market. However, it was also the age of Dickens’ Great Expectations. He and other authors revealed the humiliation, Industrial-Age child labor, and hunger of the poor.
In tracing the connections to how Mary E. got her comb, one cannot ignore upper-class indifference to what Prime Minister Disraeli described as “the two nations,” nor can one ignore Africa.
In the ivory trade, the problem was getting the 80- and 100-pound tusks from the killing grounds to coastal trading centers at Mombasa, Mozambique and Zanzibar. Merchant Michael W. Shepard wrote in 1844, “It is the custom to buy a tooth of ivory and a slave with it to carry it to the sea shore. Then the ivory and slaves are carried to Zanzibar and sold.”
Missionary Alfred J. Swann wrote in the 1880’s, “… Feet and shoulders were a mass of open sores, made more painful by the swarms of flies which followed the march and lived on the flowing blood. They presented a moving picture of utter misery,” noting also that they were covered with the scars of the “chikote,” a leather whip.
Much of the ivory was sent to its primary importation center, Dieppe, France, where it then came to England…
…and a young Mary E. accepted a gift from her true love, which she meticulously kept in its original box until the end of her life.
कंघी
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