Perched on a silver setting, brilliant plique-a-jour enamel rainbow McCaws brighten up this horn comb. c. 1910, unsigned but numbered.
कंघी
For more scholarly research, please examine
Perched on a silver setting, brilliant plique-a-jour enamel rainbow McCaws brighten up this horn comb. c. 1910, unsigned but numbered.
कंघी
For more scholarly research, please examine
Ella married painter Charles W.S. Naper, who became well-known for his English countryside landscapes. They lived and worked in Lamorna, a fishing village in West Cornwall. Ella made this pair of lily-pad combs out of green-tinted horn, and created the dewdrops from moonstones, c. 1906. And here is her portrait, painted by her husband. कंघी…… Continue Reading
This barrette sports mottled blue and green enamel on a silver backing, with two pearls. Britain, c. 1900. It is in the 1200 to 2500 UKP price range at The Tadema Gallery in London. कंघी For more scholarly research, please examine Jewelry and Metalwork in the Arts and Crafts Tradition… Continue Reading
My first piece today is actually a British arts and crafts piece by Arthur and Georgie Gaskin, c. 1910. The raised silver-foliage design is bookmarked by pearls. Provenance: Arthur & Georgie Gaskin, City Museum & Art Gallery, Birmingham, 1982, page 87. This is a spectacular art nouveau diadem of a Byzantine princess. It is French;…… Continue Reading
Best known for its British Arts and Crafts and Art Nouveau jewelry, this firm opened in 1880, producing neo-Renaissance pieces. From 1891 – 1916, the imaginative, bright enamel work on their peacock, wing, and insect designs won them Royal patronage. In 1916, the firm closed. This piece, which is signed, might be part of their…… Continue Reading
A major figure in the British Arts & Crafts Movement, Joseph Hodel partnered with the Swiss metalworker Louis Weingartner in London. He was also joined the Bromsgrove Guild. Both men supplied the Guild with smaller scale metalwork. In 1908, Hodel left for Liverpool, teaching there until the 1920s. This piece, c. 1906, resides in the…… Continue Reading
Its maker, Frederick James Partridge (1877-1942) belonged to the arts and crafts organization, Guild of Handicraft, which operated in Birmingham. Its motto was “By Hammer and Hand.” This hair pin depicts a serpent made of silver plique-à-jour enamel and opal. c. 1900. The silver ornament at its base unscrews, so it can be fitted properly…… Continue Reading
Henry Wilson (1864-1934) made this crystal & chalcedony tiara with wings of gold on either side, and Cupid in the centre. The tiara is c.1908 and resides in the Victoria and Albert Museum. He was a leading figure in the British Arts and Crafts movement and was described as the “arch individualist.” His authored ‘Silver…… Continue Reading
Sothebys is having an auction of magnificent jewels, and as I was looking over the tiaras, I couldn’t help but be struck by the contrast between one made in 1870 and another made in 1970.The Victorian tiara is made of open work panels of stylised Greek key and foliate scrolls, whereas the 70’s piece is…… Continue Reading
I’m in a Sotheby’s tiara mood I guess. This gold and turquoise tiara was signed by Carlo Giuliano c.1870 and numbered 37. Giuliano was a British jeweler, b.1831, d, 1895, who was a leader in the Revivalist Movement, sensitively interpreting Renaissance jewelry to suit late-19th-Century tastes. The tiara is openwork gold, decorated with five circular…… Continue Reading