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Ottoman Sultan V. Murad’s daughter Hatice Sultan’s silver crown

Ottoman Sultan V. Murad’s daughter Hatice Sultan’s silver crown

By Nuray Bilgili

 

turkishcrown

I wanted to examine this crown from a mythological and iconic perspective. A bird spreads its wings in front of the crown and two bird figures are placed on the left. These three bird figures are connected with palm branches and motifs.
Bird symbolism is used in Turkish culture and mythology, especially symbolizing the Goddess Umay (Altay Mythology) and the Goddess Bear (Yakut Mythology). Both are disguised as water birds, which are female archetypes. Turkish Eagles are the water bird figure that signifies a Kut symbol, which connects human beings with the heavens.
The mythical Huma bird appears as the Goddess Mother Umay, a fertility goddess who resembles the earth-mother. Ancient Turkish Mythology portrays the Huma bird as one who protects the State and the Authority. In the Ottoman tradition, the source of the structure called Humayun is also related to the ′′State Bird. ′′
In Turkish symbolism, birds of prey are symbols of Oghuz Turkish Heights. Myths from bird to derivation are seen in Shaman rumors. The Mother of the Shamans is known as the Eagle. In this case, ′′ Oghuz Ongun Birds ′′ are ′′ Female Birds ,” which are related to the Mother Goddess cult.
In Turkish mythology and symbolism, birds on a crown are female archetypes, which belong to a lady, Mother Umay carries a breeze. The essence of birds are the source of these concepts in the ancient Turkish Mythology.

Aigrettes and the French-Ottoman Alliance

Between 1438-1740, the Pope chose all his Holy Roman Emperors from the Hapsburg Empire, which encompassed Austria, Spain, and Italy. To oppose them, the Ottoman Empire made a military alliance with France, England, and the Dutch. The conquest of Nice in 1543 was accomplished through a partnership between King Francis I and Sultan Suleiman I,…Continue Reading

Jen Cruse: Rolled Gold on Victorian Hairpins

The process of producing rolled gold, invented in Birmingham in 1785 by a London manufacturer, was known as gold plating until the 1840s, when electro-gilding methods were introduced. Rolled gold is produced by fusing a thin layer of gold alloy over a base metal, or more often, over a brass or copper alloy. It is…Continue Reading

Creative Museum: The Riches of the French Empire

Multimedia exhibitions on comb scholarship are the hallmark of the Creative Museum. “The Riches of the French Empire” shows us how fashion expressed the tragedy of revolution, themes of antiquity brought back a refined aesthetic, Napoleon recognized a business opportunity, and how men put women in charge of exhibiting their wealth. The comb was an…Continue Reading

The Hair Combs of Lucien Gaillard

Lucien Gaillard (1861-1942) was a contemporary of René Lalique and achieved equal fame c. 1900, as Art Nouveau and Japonisme swept Paris. However, unlike Lalique, Gaillard’s animals and insects were proportioned exactly. He did not elongate parts of his animals to express Symbolist philosophy. In his famous “Bluebird” comb, he observed the arch of birds’…Continue Reading

Child & Child

Best known for its British Arts and Crafts and Art Nouveau jewelry, this firm opened in 1880, producing neo-Renaissance pieces. From 1891 – 1916, the imaginative, bright enamel work on their peacock, wing, and insect designs won them Royal patronage. In 1916, the firm closed. This piece, which is signed, might be part of their…Continue Reading