Two Nice Japanese Combs On Sale

The first comb is not in perfect condition. There are bug bites, and the seller is accurate in showing them. However the comb takes you into a Japanese water garden with lillies. I have not identified the plant whose leaves line the pond. A Meiji artist painted this. Right now, it’s at $90 with 7 days to go. I assume it will go higher, but I have no idea what the winning bid will be. I’ll update this post in a week.

There is another late 1800s Edo comb for sale, lovely gold, black, and red design. There are also bug bites on the tines, but this one is selling for $67.99 with 16 hours to go.

Well, I’m a Rabbi’s Wife, You see, So…

The British Museum has collected 250,000 UKP toward the 300,000 UKP it needs to purchase this early 18th Century Hanukah lamp. On loan, the museum has displayed it for over 70 years.

In 1709, Elias Lindo married Rachel Lopes Ferreira. Elias commissioned this lamp from silversmith John Ruslen in 1709. The Lindos figured prominently in the early community of Spanish and Portuguese Jews in London. They were founding members of the Bevis Marks Synagogue, established in 1701.

Elias’s father, Isaac Lindo (1638 – 1712), fled the Inquisition in the Canary Isles and settled in London in 1670. The backplate of the Hanukah lamp is chased with the figure of Elijah fed by the ravens, in a play on the patron’s Hebrew name.

“Mine” Seagulls from Finding Nemo ;-)

I just wanted it: a real Victorian 1840s, ivory, Peigne Josephine comb, in perfect condition. There was a reserve. I’m not sure what it was, but the bid below me was $589, and I won it for $650. That’s a big difference in the price between bids on ebay. I have a feeling the seller’s reserve was $650, and I met it. Here is my treasure.

Piel Freres Buckle/Barrette

This buckle, which can also be worn as a barrette, sports two dragonflies looking at each other. It is made from gilt- and silver-plated metal, metal enamel, and the stones are paste. It is marked with the correct PF signature and was made c. 1905. In the literature, it is listed in the book, “The Belle Epoque of French Jewellery 1850-1910, Munich, 1991, p.273-277.” It is selling at the Tadema Gallery in London for $5,000 +.

British Arts and Crafts Hairpin

Its maker, Frederick James Partridge (1877-1942) belonged to the arts and crafts organization, Guild of Handicraft, which operated in Birmingham. Its motto was “By Hammer and Hand.”

This hair pin depicts a serpent made of silver plique-à-jour enamel and opal. c. 1900. The silver ornament at its base unscrews, so it can be fitted properly in the hair. This piece has provenance in three books of the jewelry-history literature. The picture shows the front, the back, and the pin at actual size. It is priced in the $10,000+ range at the Tadema Gallery in London.

Diamond and Horn Comb

This unsigned French art nouveau comb was made of horn, lined with diamonds at the top, and adorned with gold flowers and diamonds in the center.

But this comb has a unique feature. Usually, the engineering belongs to the tines at the bottom. A comb is a practical item designed to hold hair in place, which existed since man first evolved.

I have never seen a chain attached to the top, hooking onto a stick designed to go into two holes, as an additional way to hold hair. It allows you to choose between tines alone, and using the stick as an ornament; using the stick alone and wearing the piece in a longer hairdo; or using both. Very inventive. But since it is unsigned, it’s value is estimated between $4000 and $5000. Update: This comb sold for 2995 euros, or $4280.53

Early, Middle, and Late Edo

Early Edo: This wooden comb is 17th-Century Edo. You can tell by the size, artistic style, and subject. It’s one idea on a large comb canvas is a chimera behind a folding screen.

From the Nomura Shojiro Collection comes this middle-era Edo comb, which depicts a grasshopper busily eating while a larger animal looms. But are we seeing the animal’s horn, while his hungry eyes focus on that grasshopper? Or, does the line signify the larger animal’s tail, as he plods away completely unaware of the grasshopper’s existence. Japanese comb art plays with and mixes perspectives a lot, but this maki-e painting has all the players in one scene. The artist makes you imagine how each animal sees their world. In art school, teachers ask students, “What can you do with a line?” And I think this comb provides a wonderful answer because with one line, it goes from being beautiful to being great.

Late Edo: Here, a crayfish is folded over the comb, a Meiji characteristic. On the front, you only see half of it. Also the space for the picture is getting smaller, and the edges are getting rounder. So we have one foot in Meiji. But it is still one idea on a comb, which is Edo. Japan is moving from one emperor to another, as an artist draws a crayfish.

There’s A Story In This Sale

In April, 2008, Christies sold this Lalique horn comb with a blue and green enameled Japanese landscape and a sunset in yellowish orange enamel for $273,500. The comb was made c. 1900 and is one of Japonisme’s greatest expressions from the French side.

On 9/21/09, the SAME COMB was put on sale again with a price estimate of $15,000 to $20,000, and sold for $92,500. I don’t understand this at all. The only thing I can think of is that something happened to the finances of the previous buyer, and they were in trouble. I agree with the first price, just like I agree with the Galliard comb selling for $218,500. Who knows. Someone got a bargain. I hope they realize what they won.

Barrette by Koch

This art nouveau piece was originally a dog collar plaque (do we love this?) but can also be worn as a barrette. It was made in 1902 by the House of Koch, founded in 1879 by Robert and Louis Koch in Germany. In 1883, Koch was bestowed with the title of ‘Jeweler of the court.’ Many works were made for European Royal families such as the Czar of Russia or the King of Italy.

Our dog collar / barrette shows a spring scene of birch trees, green grass with floral detail. The blue lake offsets the purple mountains in the distance, and the sky is opal. Everything but the opal sky was made in enamel, surrounded by silver-topped gold and diamonds. This is a masterpiece. Thankfully, the pin stems were added later. The estimated value is $150,000 – $200,000. It did not sell.

Lucien Galliard

In April 2008, I noted Christies as appraising this Lucien Galliard comb (c. 1900) at $100,000 to $150,000. I guess it didn’t sell. Today, it’s appearing at auction again with an estimate of $80,000 to $120,000. The art is still astonishing, but markets have changed, sadly. Addendum: No, they haven’t! Price realized: $218,500, 10/21/09

Called the bluebird comb, three dark- and light-blue enamel and gold bluebirds have diamond eyes and soar through pale blue and white plique-à-jour enamel clouds. The stars are made from old-cut diamonds.

Lucien Gaillard employed Japanese craftsmen in order to create jewelry for the 1900 Paris Exposition. When Lalique saw his collection, he told Gaillard to focus on that area. Following the Exhibition, Galliard’s Japanese craftsman created unique pieces such as the Bluebird Comb, even though he put his own signature on them.