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The Hair Comb Market

Are many beautiful things for sale, each with their own story, that condense post into one subject is difficult. So I have buffet of things today. Just click the picture or link see more details about each item. In Sotheby’s Unsold category: On 6 December 2002, this Henri Vever gold, enamel, and horn hair comb…

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Lalique Hair Combs and Tiaras

Victorian diamond brooches came with different settings, so they could be worn separately or together as a tiara. Art Nouveau brooches could also serve multiple purposes. Indeed, some were designed as a tiara and ended up as a brooch. Such is the case with this bee-and-flower ornament designed by Rene Lalique in 1905/6. A pencil-and-ink…

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The Creative Museum in Exhibition: Le Japon Amoureux

The Museum of African and Asian Arts in Vichy, France, resides in a 19th Century residence and contains collections, which were gathered by Christian missionaries from both continents. The Creative Museum was one of the representatives invited to share their private collection for the real-life exhibition, “Le Japon Amoureux,” whose opening was quite the event….

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The Creative Museum Triumphs Again

Every culture has a comb. It can symbolize a ruler’s deification, be a liturgical object for high priests, or an item that pushes the limits of an artistic movement. In Japanese culture, combs were an expression of love. On May 4, The Creative Museum steps into the real world again by contributing items from their…

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The Creative Museum World Tour

Another blog wrote about them: Le Blog de Cameline! She tells the story of the family in French. This post will be an English translation, and then I will pick some of my favorite combs from this magnificent collection, so we can enjoy both posts. Cameline says, “The Creative Museum is a virtual museum devoted…

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“Will you walk into my parlour?” said the Spider to the Fly

We know Mary Howitt’s poem made its way into Lewis Carroll’s Lobster Quadrille, one of Alice’s Adventures in Wonderland, but could it have ever reached Japan? It was written in 1829, and I would date this Edo painted-tortoiseshell set to 1850. I fell in love with it because the painting reminded me of the poem:…