Category Archives: Creative Museum

Creative Museum: Fulani Hair Ornaments and Jewelry

The complexity and symbolism of Fulani coiffures, hair ornaments, jewelry, clothing, and tatoos reflect their history as a conquering people. They have 4 castes: noblemen, merchants, blacksmiths, and slaves.

Before the Europeans arrived, powerful empires ruled the African Savannah for over a thousand years. They were fueled by gold mines. In the 13th Century, the Empire of Mali (the Fulani people) conquered Ghana and created lavish royal courts. Timbuktu linked trade routes between the Arab lands in the North and tribal lands in the East and West. The result was a vibrant exchange of ideas, which made Mali a center of Islamic learning.

As the Fulani spread Islam across Africa, they enfolded a vast array of tribes into their culture. Not only was religion important, but tribes expressed their identity, wealth, status, and fertility in physical and ornamental beauty.

Felix Dubois, who traveled to Timbuktu in 1897, wrote, “I prefer to speak of the women of the city, that is to say, those of its aristocratic families… Their foreheads are charmingly adorned with bands of pearls and sequins, and the most accomplished hairdressers arrange their tresses in wonderful top-knots interspersed with ornaments of golden filigree. Earrings of the same precious metal dangle from their ears…”

The Creative Museum has added some Fulani braid ornaments to their collection.

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For more scholarly research, please examine

The Creative Museum’s online exhibition on African combs, Facing Me, Facing You — and these books.


Africa Adorned

Hair in African Art and Culture

A World of Head Adornment

If you are inspired to wear some beautiful Fulani jewelry, I recommend the 24-carat-gold-plated seed pod earrings and cuff bracelet in the National Geographic store.

The Modern Geisha and her Kanzashi

This magnificent photograph from Michael Chandler shows a geisha wearing modern kanzashi, made of brightly colored fabric attached to metal, glass dice beads, text, and silver balls. What I love about her is the red lipstick on the bottom of her mouth, dark red eyebrows, and that she has styled her real hair. Her soft look makes her mysterious, yet irresistible, in the ageless tradition of geishas.


copyright: Michael Chandler. Please see Mr. Chandler’s complete set of modern geisha photos here.

The Creative Museum has many modern Japanese sets. My favorite is this blue silk wedding set.

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For more scholarly research, please examine

The Combs and Ornamental Hairpins in the Collection of Miss Chiyo Okazaki

The Miriam Slater Collection

Creative Museum: Fabulous Auguste Bonaz

The Creative Museum has just acquired a new Auguste Bonaz comb. Clear celluloid is decorated in a geometric red design that changes with the light. You may also notice the brilliance of Joel Olliveaud’s photography, where the dark grey shadow matches the diagonal edge of the comb, before the light softens at the bottom. This Bonaz is one of his best and a truly magnificent choice. Bravo.

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For more scholarly research, please examine the Creative Museum’s publications at the Musée d’Angouleme:

Chinese and Japanese Hair Ornaments

En tête a tête

The Creative Museum: By Hook or by Crook

The Creative Museum has acquired a comb of mysterious origin. The sea-shell top is attached to a silver base. The family thinks a sailor or convict could have carved the castle separated by the sea from a village.

I think they’re right, but I’m going to guess further. There is a phrase, “By Hook or by Crook.” It refers to the Oliver Cromwell’s Siege of Waterford in 1649. With the Rebellion of 1641, Ireland had a brief period of self government, which supported the Confederate Catholic cause. Protestant royalist settlers caused much tension. Cromwell ended the Rebellion with a naval strategy to take Waterford by Hook (the village on the east side of the harbor) or by Crook (the village on the west side).

A sailor, convict, or refugee might have taken a sea shell and carved Slade Castle in Hook, County Wexford and a similar castle in Crook, County Waterford. The harbor comes in between.

The comb’s base looks English to me. Although I don’t think it was carved in 1649, maybe it was done by an Englishman who had to leave Ireland by force and took a photograph, as it were. When something is unique and was made to remember a personal life experience, we can only guess.

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For more scholarly research, please examine

Creative Museum: Newspaper article in La Charente Libre

As we take our steps from the online world to the real one, newspapers notice, too. La Charente Libre of Cognac, France, wrote an article on the Creative Museum‘s Tete a Tete exhibition at the Musée d’Angouleme on November 5th.

Everyone from around the world :-), please say hello to Catherine and Joel Olliveaud. What I see in this photo is Joel looking at the Creative Museum’s headdress with his photographer’s eye. Catherine, you are beautiful!

The article tells the story of a collection, which is really the story of a family, who had a serendipitous epiphany. They saw a few combs in their grandmother’s wardrobe and devoted their lives to her legacy. Coincidentally, many combs are made to pay homage to ancestors, so that gives added poignancy to the Creative Museum.

From the article: “The idea of ​​the museum came to me after the organization of the exhibition ‘Chinese and Japanese Hair Ornaments’ at the Oisellerie Castle in La Couronne, France” said Catherine Olliveaud. “Many people told me that these objects were worthy of museums like the Musée Guimet in Paris. It gave me ideas. The advantage of the virtual museum is that it is accessible to everyone everywhere.” The Creative Museum has visitors from 97 countries.

Creative Museum: Haute Couture Mercedes Robirosa comb

Mercedes Robirosa was one of Yves St. Laurent’s favorite models in the late 1960’s and 70’s. Laurent chose Robirosa to model the Mondrian dress, which is in the permanent collection of the Metropolitan Museum’s Costume Institute.

After her modeling career, Karl Lagerfeld hired her to design jewelry for Chanel. Four years later, she went out on her own.

The newest acquisition of The Creative Museum, this comb came from her Karl Lagerfeld period. It was designed for one of his haute couture fashion shows.

Hammered brass swirls surround a turquoise-glass stone. Your eye never loses interest in the swirls’ asymmetrical nature. The comb is a great sculpture in its own right. It is signed, original, and in perfect condition. The intelligence behind these purchases are what differentiates a collection from a museum, and what makes The Creative Museum great.

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For more scholarly research, please examine

Yves St Laurent by Frances Muller

The Yves Saint Laurent-Pierre Berge Collection: The Sale of the Century

Creative Museum Triumphs at Le Musée d’Angoulême

Today, The Creative Museum walked in the front door of Le Musée des Beaux-Arts d’Angoulême, France.

Thirty combs from the family, who devoted 30 years to comb scholarship, were combined with headdresses from the Antoine de Galbert collection. The exhibition was called EN TÊTE À TÊTE.

It divided combs and headdresses to show four cultural themes: birth and initiation, marriage, social status, and death.

The Creative Museum made a film tour of the exhibition. Look at how many people came to learn.

The galleries were packed.

Thank you, Alain, Catherine, and Joel for making a “dent in the universe” and bringing hair combs to the environment in which they belong.

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For more scholarly research, please examine

The catalog from this exhibition, which will be available in the museum shop soon. Or, you can contact the museum and request a copy.

Creative Museum: Folk and Personal Combs

By The Creative Museum:

Nous ouvrons toujours des yeux émerveillés devant des peignes qui méritent le titre d’œuvre d’art. Nous admirons la beauté et la richesse des matériaux, la perfection des formes, le savoir-faire des orfèvres qui créent ces véritables bijoux.

Mais c’est un autre sentiment tout particulier qui nous saisit devant les témoignages d’art populaire.
Ils nous parlent des traditions d’une région et nous font saisir l’âme des gens.

Un peigne confectionné par une personne individuelle nous touche par sa charge sentimentale. On est ému par ses maladresses de formes et de façon. On cherche à déchiffrer le sens de ce qui est représenté. C’est une pièce destinée au départ à une personne précise. Mais elle a pu traverser les générations et elle est alors porteuse de toute une histoire. Si nous laissons notre imagination vagabonder, on peut en voir le film.

Ce peigne peut être naïf, les matériaux peuvent être de vil prix. Et pourtant il devient un objet de valeur par le fait qu’il est unique.

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For more scholarly research, please examine

American Folk Art by William C. Ketchum Primitive and Folk Jewelry by Michael Gerlach
French Folk Art by Jean Cuisenier




Creative Museum: Exhibition at the Musée d’Angoulême

Online community is still miraculous. In addition to publishing superb books, our devotion to the beauty and cultural revelation of combs is being recognized by museums.

Thirty combs from the Creative Museum join headdresses from the private collection of Antoine de Galbert for a “world tour” exhibition at the Musée d’Angoulême. En Tête à Tête: Parures de tête à travers le monde (English translation: From Head to Head: Headpieces from Around the World) will show from October 1 to December 31, 2011.

Noticing our online achievements, curators are realizing that hair combs “mark the beat of life… are privileged witnesses to cultural identites… and are immersed in a magical vision.” We did it. We’re walking in the front door. Today is a glorious day. Hi Birds. :-)

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For more scholarly research, please examine

Prehistoire de la Charente: Les temps ante-historiques en Angoumois a travers les collections du Musee d’Angouleme (French Edition)

Ainsi soit-il : Collection Antoine de Galbert – Extraits

Obsessionistas: The Story of the Creative Museum

The Creative Museum was featured in the British online magazine, Obsessionistas, this month.

How did this 30-year, 2000-comb collection start? With the treasures of a grandmother.

The wife of a French army captain, Leona Petit collected a small number of combs from around the world. After she died, her grandchildren noticed the combs in her wardrobe. Fascinated, they realized these small objects symbolized the history and culture of those who made them. The brother, sister, and her husband decided to devote their lives to continuing their grandmother’s legacy.

Today, it has become a prestigious online museum, which is making its entrance into real museum exhibitions. I am sure Mme. Petit is looking down from heaven with joy. Here are some of my favorite pieces. Other parts of the collection are in the article.

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For more scholarly research, please examine

Chinese and Japanese Hair Ornaments by The Creative Museum